Entega bringt mich ins Stadion der 05er

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Screenshot der Entega.de

Screenshot der Entega.de

Wer kennt sie nicht die unzähligen Gewinnspiele die im Rahmen von Mircosites, Webspecials und Co. versuchen User für eine Marke zu gewinnen. Ich denke jeder hat schon mal mitgemacht. Während nur wenige wirklich etwas gewinnen, so gewinnt der Veranstalter immer eines: Adressen oder sogenannte Leads. Sehr oft aber werden diese Gewinnspiele von den Usern schlichtweg ignoriert. Woran es liegt? Missverständliche Teilnahmebedingungen, wenig ansprechendes Design, unattraktive Preise, idiotische Gewinnspielfragen, kompliziertes Anmeldeverfahren, zu zeitaufwendige Schritte,… die Liste ist lang. Und an Premiumkunden, deren Zeit eh knapp bemessen ist, kommt man selten ran, zumal diese mit einer CD, einem Handy,… nicht zu ködern sind.
Es besteht also durchaus die Gefahr nur die „gewinnspielgeilen, zahlungsschwachen Kundengruppen“ zu erreichen, was die Leads wiederum entwertet.

Aber wie komme ich eigentlich auf das Thema? In meinem Falle hat mir ein Freund über Facebook einen Link gepostet der zu einem Gewinnspiel von Entega und Mainz 05 führte. Als neuer Hauptsponsor und mein persönlicher Stromanbieter also eine durchaus seriöse Sache. Und noch einmal deutlich attraktiver dadurch, dass mich ein guter Freund darauf aufmerksam gemacht hat und die Aktion gelobt hat. Ein klassicher Fall von Word of Mouth bzw. Empfehlungsmarketing in seiner vertrauenswürdigsten Form: Freunde. In Zeiten digitaler Informationsflut vielleicht sogar der effizienteste Weg der Vermarktung.

Anyways, die Gewinnspielseite sah sympathisch aus, war nett gemacht und übersichtlich. Die Gewinnspielfrage war einfach (vielleicht zu einfach) aber hatte einen Bezug zum Verein. Die Teilnahmebedingungen waren leicht verständlich, es wurden keine unnützen Fragen gestellt und man bekam eine Meldung, dass die Teilnahme erfolgreich war. Der Preis: 2 Freikarten zu einem Mainz 05 Spiel. Das Ergebnis: Eine persönliche Email, dass ich gewonnen habe! Sogar per sms bekam ich direkt von der betreuenden Agentur noch weitere Details – absolut professionelll und serviceorientiert.  Eine vielleicht bleibende Assoziation mit Entega als Stromanbieter? Die Karten lagen heute wie vereinbart zur Abholung bereit, an einer seperaten Kasse ohne großen Andrang. Die Plätze waren in der dritten Reihe, seitlich neben / hinter dem Tor. Was will man mehr. Das Spiel war in Ordnung, Kollege Lehmann aus Stuttgart hat mit seinen Aktionen dem Spiel die Krone aufgesetzt, was aber auch dazu führte, dass es letzlich zu einem Unentschieden gereicht hat und Mainz in der Hinrunde zu Hause ungeschlagen bleibt.

Website des FSV Mainz 05

Website des FSV Mainz 05

Was hat die Aktion gebracht? Nun, da ich bereits Kunde der Entega bin, würde ich es unter Loyalisierung verbuchen. Bisher nehme ich die Entega als sehr sympathischen Vereinssponsor war, und der Gewinn der Karten dürfte das noch verstärkt haben. Mein Freundeskreis weiß nun, dass ich das Spiel gesehen habe, dass die Karten über die Entega kamen, dass Entega Sponsor ist, und dass ich Entega gut finde. What more can you want? Ja, vielleicht, dass der Gewinner darüber auch noch twittert oder in facebook darüber schreibt. Ich jedenfalls habe kein Problem damit:

Danke Entega

Danke Entega

Entega_facebook

Entega sponsert Mainz 05 Karten

Quellen:
www.mainz05.de
www.entega.de

10 Black Friday Secrets Retailers Don't Want You to Know

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By Mike Elgan
published on internetnews.com
November 16, 2007

They don’t call the day after Thanksgiving „Black Friday“ for nothing. It’s all about launching the megastores „into the black“ – into profitability. They profit not by offering goods at a loss, but by using ultra-low prices to lure you into their stores, where they can employ dirty tricks to make money.
But with my secrets, and some smart planning, you can make „Black Friday“ profitable for yourself, not the store.

Here are the 10 things they don’t want you to know:

1: Most Black Friday deals are leaked early online. Check sites that post leaked Black Friday ads and info, and give yourself an advantage over the masses. The four best sites are: bfads.net, blackfriday.gottadeal.com, blackfridayads.com, and blackfriday.info. Some of these sites will optionally send you an e-mail whenever they post a new ad or new information. (So will Wal-mart’s „Secret Section.“) Some have cell phone versions of the site for referring while in-store.

2: Many Black Friday deals are bait-and-switch scams. They may sell you a very cheap product with a very expensive warranty, or use a given price, but add software, accessories or other over-priced add-ons as a required but unadvertised part of the purchase. You’ll find out about this only at the register. If the price at the register is significantly higher than advertised for any reason, ask to speak to a supervisor and insist on the advertised price. If they still refuse, threaten to write a letter to the attorney general.

3: Get the best price without hassles by knowing price-match and return policies. Many stores offer price-match guarantees (if a competitor offers a lower price, they’ll match it). Increasingly, Black Friday sales are exempt from all this. Others have a return policy that, in effect, is a price-match guarantee for the store itself (if they drop the price, the difference is later refunded to you if you ask for it). If you know which product you want to buy, and can find a store with a price-match guarantee that honors Black Friday prices, buy it! When Black Friday rolls around, you can go looking for the best price, and not have to worry about whether the store is out of stock. If a store is willing to refund the difference between its own normal price and its Black Friday price, buy it early for the same reason.

4: Beat the system by shopping in teams. Stores rely on a long list of tricks, from limited sale hours to low inventories in order to lure you into the stores without giving you the time to comparison shop for the product you want at the best possible price. Have one team member in each store when it opens, each with a list of what everyone wants to buy. Use Joopz.com to set up broadcast SMS. Each team member finds every product on the list, then broadcasts pricing. The person at the store with the lowest price for each item buys it.

5: Use your cell phone browser to check competing deals, and also product quality. You can also use standard sites like BizRate.com, Shopping.com and PriceGrabber.com to check just how good prices are. Sometimes Black Friday prices can be beat online anytime.

6: Some Black Friday promos are designed to unload loser products. Products that are obsolete, unpopular, damaged or returned are prime candidates for Black Friday sales. Make sure you narrow your list of products, so you don’t end up buying something you don’t really want.

7: Shop early. Very early. Many stores will open at midnight this year. Many open as early as 5 am. Find out in advance what time each store opens, so you can plan accordingly.

8: Some of the best deals are advertised only on Thanksgiving — or even on Black Friday itself. Make sure you get all the local newspaper on Thanksgiving Day and Black Friday.

9: Some Black Friday deals are actually buyable online. Others are buyable only online, or have prices that actually beat in-store prices. Start checking prices on Thanksgiving. Check Web sites again very early Black Friday morning, and shop there first — then go to the stores only if you have to. Still other stores let you order items online the day before, and pick them up on Black Friday.

10: Plan ahead to think clearly. Bring food, wear comfortable shoes, and leave the kids at home (kids can influence impulse buying or convince you to leave early). Stay focused, and don’t let yourself be caught up in the frenzy.

Black Friday is a zero-sum game. Either the store wins, or you do. Use these tips to beat the stores at their own game.

In addition to writing for Datamation, where this column first appeared, Mike Elgan is a technology writer and former editor of Windows Magazine. He can be reached at mike.elgan+datamation@gmail.com or his blog: http://therawfeed.com.

Article published at InternetNews.com
Read the comments on this article here: href=“http://www.internetnews.com/commentary/print.php/3711701″>http://www.internetnews.com/commentary/print.php/3711701

FEED: The Razorfish Digital Brand Experience Report 2009

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Will the Alfa return to the U.S.?

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Alfa-Romeo

Alfa-Romeo

Fiat which took over Chrysler is considering the introduction of its premium brand Alfa-Romeo in the U.S.
As far as I can tell, Alfa-Romeo has a pretty good reputation in the States. People associate the vehicles with sportiness, passion, European technology and Italian passion. The fact that many sophisticated Americans are familiar with the brand is due to the fact that it was possible to purchase Alfa-Romeos until 1995 in the U.S.
Given the success of German premium brands such as the Mini, the small MiTo could definately meet some demand. However, Alfa-Romeo will definately remain a niche model as is the case in European markets such as Germany. A lot will thus depend on the cost aspect of selling this brand in the U.S.

Here is an article with further background information on the issue:

http://www.businessweek.com/autos/autobeat/archives/2009/10/alfa_romeo_comi.html

IMD Tommorrow's Challenges: Anything Can Be Branded – It Takes Stamina and Renewal

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By Professor Dominique Turpin – October 2009

Anything can be branded, from toothpaste and tourist destinations to cartoon characters and Chinese revolutionaries. Professionally managed celebrity brands have been around for several decades; one of the most famous, Elvis Presley, has been so successfully handled that he has sold more records – not to mention coffee mugs and calendars – since he died in 1977 than while he was alive. It looks like Michael Jackson will be 2010’s top-earning celebrity brand – making an almost $250 million from beyond the grave.

Professionally-managed branding of athletes is a slightly more recent phenomenon but it’s undoubtedly big business. For example, David Beckham, the former England captain, managed to take his popularity on the field and turn it into a brand worth an estimated £200 million thanks to endorsement deals including Vodafone, Adidas, Pepsi, Brylcreem and Marks and Spencer. He almost certainly learned a lot about how to build a personal brand from his pop star wife, Victoria “Posh Spice” Adams, who already had a strong brand in her own right when they met. Together, they merited a great deal of tabloid coverage. Interestingly, when Manchester United sold him to Real Madrid in 2003, some analysts suggested that the Spanish club was more interested in buying his brand than his sporting ability.

But creating a strong brand for a real person – one that lasts and that means something commercially – takes more than good looks and a famous spouse. In fact, it starts from exactly the same principles as any brand strategy. First, any great brand must have something different and distinctive. For a footballer, this is likely to mean world-beating talent. Second, the brand’s messages must be simple, consistent, clear and easy to communicate. (Executives who are building their own personal and professional brands can learn from this as well. Many try to communicate far too much with their brand; it’s better to emphasize one or two things that make you unique.)

On top of this, for a footballer to become a successful brand he must represent moral values or ideals, such as professionalism, tenacity and team spirit, that will make him valuable to the companies that endorse him. When companies link themselves to celebrity brands it’s because they want the values associated with them to transfer to their own brands. For example, a business that sells men’s grooming products may link itself with male athletes who are seen as healthy, attractive and successful.

However, companies must be wary of relying too heavily on celebrity ambassadors. Famous names should never be the main driving force behind a business’s brand or it will run the risk of the celebrity’s personal brand overwhelming that of the product or service. This can result in people remembering the celebrity but not the product they were paid to endorse. Ultimately, corporate and product brands need to be built on, and be able to stand up on, their own distinctive merits. Careful use of celebrities can enhance or strengthen existing product brands but it should not be seen as a way of creating a brand.

The other big risk for companies is that celebrities may behave in a way that’s inconsistent with the values that they were brought in to represent. When this happens, it threatens not just the individual’s personal brand but that of any associated products; this is one of the areas where it is most certainly not true that any publicity is good publicity. After all, a company that recruited a celebrity athlete based on his wholesome, hard-working and sportsmanlike image would be less than enthusiastic about keeping him on if he was caught taking performance-enhancing drugs, for example.

From the celebrity’s perspective, the downside of interlinking brand and personality is that misbehaviour that may once have been seen as purely private can seriously damage his or her brand commercially even if it is not linked to their core activity. For example, when the Brazilian footballer Ronaldo was hit by a scandal involving transvestite prostitutes in Rio de Janeiro it didn’t affect his ability to find the back of the net but it did lose him an advertising contract worth $4.8 million per year. Clearly the mobile telephone company involved no longer wanted its name linked with his activities.

For both athletes and businesses the best way to maintain and develop a brand is by stamina and renewal. Many brands disappear or experience a decline simply because they lack a regular stream of innovations, whether in the product itself or the way in which the brand is communicated to the public. For a player coming close to the end of his professional career, the challenge is always to continue to make news, either as a player, an individual or in association with the brands or products that he or she endorses. For example, George Foreman, a former world champion boxer has made over $150 million from the sales of his barbecue grills, a sum that is substantially more than he earned as a boxer. But he still has a way to go before he matches Elvis!

Dominique Turpin is Director of the International Seminar for Top Executives. He also teaches on the Orchestrating Winning Performance and Strategic Marketing in Action open enrollment programs and in IMD’s Partnership Programs.

Source: http://www.imd.ch/research/challenges/TC063-09.cfm

original post: IMD Tommorrow’s Challenges: Anything Can Be Branded – It Takes Stamina and Renewal Posted in Manchester United News

Paul Smith for Evian

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Following its annual trend in partnerships with Fashion Designers through 2010, Evian has linked up with one of the most creative designers, known for his sense of fun and optimistic attitude Paul Smith.
The new exclusive Evian bottle is designed with a festive theme in vibrant colors – with a nod to the famous Paul Smith stripes – which elegantly underlines the purity of the natural spring water from the French Alps.

Take a strong brand that can look back to a long history, one that surpassed changing times without deviating much from its core values and design. How can you give it new spin, improve the way people perceive it, present it from a different angle? Add a human. Add a charismatic human, one that is not too remote from the product. One that fits. One like Paul Smith.

Name the Volt – GM asking the consumer to name the colors

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After developing and marketing what promises to be the world’s first mass-produced extended-range EV, the folks at GM are too tired to come up with names for all the paint colors, so they’re asking for your help.

Apparently not satisfied with “kinda silvery and greenish” as a description of the exterior color of the pre-production Chevy Volt shown above, the General is asking for help from the general public to officially name the color for press and marketing materials. You can enter — and eventually vote — at chevroletvoltage.com.

The three top vote-getters win a trip to the L.A. Auto Show, while first prize gets their own addition to GM’s paint codes and the chance to drive a pre-production Volt. Props to anyone who submits “Autopia Emerald.”

We’ve always driven home whatever color is on the lot — or whatever color our mom chose before she handed the car down to us. Still, for some buyers, color matters. According to GM’s Global Color and Trim guru Chris Webb, 39 percent of consumers “will walk out of a dealership and purchase from another brand altogether if they can’t get a vehicle in the color they desire.”

While the Volt looks good in the various shades of gray and black that the public has seen so far, we can’t imagine anyone turning down a car as eagerly anticipated as the Volt because they don’t like how the paint looks. Heck, we bet it would sell in Mary Kay pink with profane graffiti covering the hood. The Volt is about what is — and what isn’t — under the hood, not what’s covering the exterior.

Name the Volt’s Color, Win a Prize

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Fastcompany.com: The Six "Wow" Features of Windows 7

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By Kate Rockwood

„We set out to ask: What’s the Windows way to do something?“ says Sam Moreau, Microsoft’s head of user-experience design for Windows 7. „We had to make sure that we took care of Windows as having an authentic soul.“ He knows you may be snickering, especially if you use Vista. „Vista tried to do a lot of things, and the places where we didn’t finish the job are the places people feel,“ he says.

The early positive reviews suggest that Moreau has helped make Windows 7 much more satisfying to use. Engadget called it „fast, painless, and complication free,“ and as Gizmodo charmingly notes, „Even the Mactards will have to tone down their nasal David Spadian snide, at least a little bit.“

Silencing Mac snobs is merely a side benefit of Moreau’s official goal: Quiet desktop clutter and shave seconds off of daily tasks. „Windows‘ point of view is about adding value and solving distractions,“ he says.

A career Web designer, Moreau was an unlikely choice to pull this off. „I was told that was the point,“ he says. In turn, he amassed his own band of architects, artists, and writers who could bring fresh perspectives to Windows 7. We asked Moreau and his team to tell the tales behind six buzzed-about Windows 7 features.

Vista opened with a series of blinks and beeps that reflected the under-the-hood technical operations. With Windows 7, Moreau wanted to mask the mechanics with stirring cinema. Writer Rolf Ebeling led the design of the 105-frame sequence. „It was nerve-wracking when Sam leaned into my doorway and asked, ‚How good is your animation?‘ “ says Ebeling. He used swirling fireflies that coalesce into the Windows icon to foreshadow the operating system’s use of light. „As a journalist, I knew I needed to make the point quickly, but how do you get the tone just right and make it something people want to come back to again and again?“

Windows Vista used a sheet-of-glass effect on the task bar, but Moreau and company made it more realistic. Industrial designer Stephan Hoefnagels studied physical properties of everything from Audi taillights to bioluminescent sea creatures to lava lamps, and then crafted more than 90 prototypes to make the task bar’s light look „energetic and alive“ and the refraction realistic. „As you hover over an application, the tile glows, but as you move, the light trails and follows you,“ he says. Rather than cast a monochromatic aura, Windows 7 pulls color from the application (Firefox, for example, burns orange). „The task bar is the face of Windows, but the icons are the stars of the show.“

Windows 7’s wallpapers eschew placid landscapes for psychedelic anime turtles and slick Seattle streetscapes. „Choosing the safest options would have been the Microsoft default, but we wanted to provoke a strong emotional connection,“ says Denise Trabona, a former design director for MSNBC. She also broadened the range of photographers and illustrators, to reflect Microsoft’s global reach, and added architectural pics into the mix for the first time. She says, „Our guidance to the artists was straightforward: Give us light and energy.“

A pop-up menu of application-related shortcuts, Jump Lists is a powerful feature hidden behind a right click. In one prototype, the design team indicated the feature with a button and an arrow next to each icon, but a few players balked. „There’s a tremendous amount of functionality hidden behind a kitchen’s cabinets and drawers,“ says Joey Pitt, who worked as an architect before joining Microsoft. „Rather than an immediate cacophony of labels and flashing signs on every drawer, it’s better for users if the experience unfolds over time.“

Aero Shake’s back-and-forth mouse motion has its roots in a feature called Aladdin, which allowed users to „rub“ a window to keep it hovering temporarily in the foreground. „Aladdin was fun,“ designer Hoefnagels says, „but at some point, the rubbing got tiresome and it was like, Okay, let’s just click over.“ Aladdin’s on the cutting-room floor, but the gesture’s whimsy became the Aero Shake. Use your mouse to vigorously „shake“ an open window and watch the others fly closed. A gimmick? Maybe, but users rave about its ability to quickly declutter desktops.

Lisa Cherian, an industrial designer and design teacher, raised more than a few eyebrows when she first joined the Windows 7 team and asked nondesigners to diagram how they’d train an alien to brush his teeth. „What we need in a software environment is the concept sketch,“ she says. „In industrial design, you return to it again and again: ‚This is what I’m making. This is what it feels like.‘ It’s essential to your focus.“ Employing that industrial-design discipline, Cherian created a concept sketch for Libraries, a feature that lets users easily access and sort their pictures, music, and video no matter whether they’re buried deep in a file folder or stashed on an external hard drive. Returning often to the sketch helped rein in the feature creep that threatened to choke the project.

See the whole article at:
http://www.fastcompany.com/magazine/140/windows-into-the-soul.html

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Ford Spending 25% of Marketing on Digital and Social Media

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Ford goes digital!

Ford Motor Co. this year will spend 25% of its marketing dollars on digital media, more than twice the amount spent by the industry.

Read more at BusinessWeek The Auto Beat